In 1973 Hugo Santiago made Les Autres, his second feature film. The film was produced in Paris by a team composed mostly of Argentines, and written together with Jorge Luis Borges and Adolfo Bioy Casares. Even so, the film ends up representing France in the official competition at the Cannes festival in 1974. That premiere is a great scandal in which political reasons and film criticism are confused. In this brief introduction, Hugo gives us some clues to better understand his most unknown work, and suggests that after the controversy unleashed in Cannes his career changed forever.

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The story revolves around Iris who replies "They aren’t" to her osteopath when he asks her how things are going with her husband. This confession slips out, taking Iris by surprise, and rocking her like a brutal awakening: how long has it been since she made love? But everything is fine: Iris has a seemingly flawless husband, two wonderful daughters, a dental practice with a relentless stream of customers, a nice apartment in an area she loves, friends who understand her... And she’ll soon be 50. And then a stranger plants a seed in her head: "Take a lover". Iris open Pandora’s box and candidates emerge as if from nowhere – as if it were raining men.

Contemporary Paris, mid-July. Guillaume arrives in the capital to caretake a large apartment until the end of the summer. Lucie, the apartment’s owner, and a friend of his mother’s, welcomes him… then suddenly disappears.

Journalist Laurence Haïm, a 25-year U.S. correspondent, explores the complexities of this powerful nation. Following the presidential race between Kamala Harris and Donald Trump, she documents Trump’s campaign, the devotion of his supporters, and his appeal to the most religious and conservative wing of the American right.

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Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.